Jasmina Cibic lives and works in London. Her practice spans film, installation and performance, employing a range of methodologies, media and theatrical tactics to redefine or reconsider a specific ideological formation and its framing devices such as art and architecture. Her work draws a parallel between the construction of national culture and its use value for political aims, encouraging the viewer to consider the timelessness of psychological and soft power mechanisms that authoritarian structures utilise in their own reinsertion and reinvention.

Solo exhibitions include BALTIC Centre for Contemporary Art, Gateshead; Museum Haus Esters Krefeld; Aarhus 2017; Esker Foundation Calgary; DHC/ART Montreal, Foundation Fiminco, Paris; NN Contemporary, Northampton; Museum of Contemporary Art Zagreb; Museum of Contemporary Art Belgrade; Museum of Contemporary Art Vojvodina; MGLC Ljubljana and Ludwig Museum Budapest. Group shows include at MoMA, New York; Belgrade Biennial; Monash University Museum of Art; CCS BARD and Hessel Museum; Guangdong Museum of Art China; Pera Museum Istanbul and Ambika P3, London.

Cibic was the winner of the 2016 MAC International Ulster Bank and Charlottenborg Fonden Best international artist awards.