The next installment of Film London Labs is a collaboration with Bafta-nominated studio Electric Noir. This lab is specifically for writers from the film world who want to cross into the immersive entertainment space and will end in a paid placement at one of London’s most exciting studios for at least one writer.
If you recall from The Before, back in February we welcomed Nihal from Electric Noir studios to Film London Labs to speak about the new world of immersive storytelling. Our lab on August 17 will double down on everything we covered in February, going deeper into the opportunities in the middle of the film/games Venn diagram, how Electric Noir work and how writers from the film world can be a part of it
We’re pleased to announce that Electric Noir is now on the hunt for innovative, engaging storytellers—with the goal to bring someone on board for a paid, 3-month stint developing their own season of the BAFTA-nominated series, Dead Man’s Phone.
The Series, and the Opportunity
At its core, Dead Man’s Phone is a long-form narrative that intersects gaming, TV and film. Through Electric Noir’s bespoke mobile platform, the player becomes the lead character in a crime drama and solves a murder using clues found on the smartphone of a victim. It’s rich with flawed characters and challenging cultural themes—more akin to the depth and nuance of The Wire or Top Boy than a conventional police-procedural.
As we navigate our current political reckoning with law enforcement and seek to break apart and better the systems that govern us, this is an opportunity for a bold, socially engaged screenwriter to tell stories that reflect – in both form and content – the world we live in.
The Creative Brief, and the Introductory Session
Filmmakers interested in this opportunity can attend our Lab to learn more. After the Lab, writers will apply by submitting a creative writing sample to Electric Noir (see brief below). No prior experience in immersive tools is necessary.
We’ll be kicking off the submissions with sessions on 29 July and 17 August 2020.
In this session you’ll learn more about Electric Noir’s approach to immersive storytelling, and what they’re looking for from filmmakers in their creative brief.
You can register for a session here.
For full information on the opportunity and the details on submitting your creative brief, please see below.
We welcome any questions at email@example.com
Interactive entertainment studio Electric Noir is looking for screenwriters to create their own season of the BAFTA-nominated series, Dead Man’s Phone.
The right candidate does not need any experience in interactive & mobile game storytelling – they will be trained in these elements.
Five stages to the process:
i) attend kick off Lab on July 29 or August 17 (optional but recommended)
ii) answer a short brief and submit a piece of existing work
iii) video interview
iv) paid two-week bootcamp/initial placement (for up to 5 writers)
v) three-month paid placement (for at least one writer)
Electric Noir has a shared workspace in central London and will aim to bring candidates together here during the bootcamp and placement – with remote working possible between training sessions.
Dead Man’s Phone
Dead Man’s Phone is a live-action mobile app where you, the detective, investigate and solve murders through the smartphone of victims. It sits right in the middle of the space between film and gaming.
The studio, Electric Noir, is bridging the worlds of film, television and gaming. Bringing adult storytelling into the mobile game space. Think, ‘the HBO of story games’.
Dead Man’s Phone is an interactive series with high ambitions.
We want to elevate interactive stories as an art form alongside cinema and television. To create long-form mobile narratives – rich with flawed characters and challenging cultural themes.
We may be a crime drama, but better to think The Wire or The Sopranos – not CSI or NCIS.
This brief – writing a police interrogation scene – is to assess your talent for writing in that tone and working within an existing narrative.
We’d also ask you to submit one piece of your own work that you’re most proud of – this could be anything from your portfolio (a script, a link to a short film, etc).
We believe all our interactive tools can be taught. But that raw instinct for great dialogue should be within you.
The brief is due 21 August 2020. It can be sent to firstname.lastname@example.org.
In the Electric Noir two-week bootcamp, up to five writers will work closely with the founding creative team – who will guide you in the process of interactive storytelling in our phone-first format.
Our ambition for this bootcamp is for you to:
- Develop a DMP season concept & short treatment
- Produce a short interactive police interrogation – using our interactive tools
After the two-week bootcamp, at least one writer will be given a three month paid placement to develop a season of Dead Man’s Phone with guidance from the founders.
All writers will be fully credited in any series that goes into production.