Alan Cunningham works primarily with text and moving image. Current work explores vulnerability, personhood, the concept of the boundary, spatial ethics/aesthetics, sanctity/profanity and the mythologies of nature. Previous work includes Count from Zero to One Hundred (2013), Sovereign Invalid (2018) (both text) and Sangar (2020) (moving image). His moving image work has been most recently exhibited at Antre Peaux (FR) and the Werkleitz Centre for Media Art (GER) as a member of the Forms of Ownership (FOO) collective. Originally from the north of Ireland, he is currently based in London.